May was the month that I finally completed my English Literature degree. And how did I celebrate? By reading, of course!

But, seriously, the novelty of being able to read off-syllabus whenever I want is one I’m not sure will ever wear off and it’s been made even more exciting by the UK’s unseasonably warm weather. Waking up, heading straight to the garden with my book and taking breaks inside whenever I got too warm to watch an episode of Sex and The City? Maybe I could get used to this whole lockdown thing…

Books

mr salary by Sally Rooney | ★★★★*

After watching Normal People, I needed another Sally Rooney fix. Luckily, I’d ordered this short story after finishing her first and second novels last year and hadn’t got round to reading it. Mr Salary is about Sukie, who is returning home to Dublin, and her relationship with Nathan, a family friend she moved in with when she was a teenager because of difficulties at home. In typical Rooney fashion, it’s simple but endearing and explores the dynamics of a romantic relationship that is complicated due to external factors. I really enjoyed it and have since ordered two more books from this collection of Faber Stories by other authors, as I love the idea and the beautiful covers.

exciting times by naoise dolan | ★★★★*

Naoise Dolan has been compared to Sally Rooney, largely because she is an Irish millennial writer, I think, but perhaps also because, like Rooney, she writes about romantic relationships so well. Exciting Times follows Ava, who is living as an expat in Hong Kong and teaching English as a foreign language, and her weird living arrangement/relationship with a banker, Julian, as well as her romantic relationship with Edith. It’s witty and hilarious and almost every sentence carries socio-political commentary, but it is done in a way that somehow feels cleverly subtle. The commentary is largely focussed on being Irish and how this affects her experience of being an expat, as she is expected to teach Anglo-English as opposed to Irish-English, as well as the feminist politics of accepting money/housing off a partner, which I found really interesting. I absolutely loved this book and really recommend it. 4.5 stars.

I feel bad about my neck: and other thoughts on being a woman by nora ephron | ★★★*

I picked this collection of essays up on a weekend when I was feeling a bit off and couldn’t really get into any of the books I was trying to read. This one was perfect. These essays were written late in Ephron’s life and they are mostly interested in ageing as a woman. An essay that stands out to me in retrospect was actually about Ephron’s huge, rent-controlled, bougie apartment in New York, however, which provided me with at least a day of dreaming about living there. Like Eprhon’s most well-known novel, Heartburn, this collection of essays didn’t blow me away, but I devoured them in, basically, a day, as they’re such easy reading and can be a real tonic when you’re feeling a bit crap. But I don’t necessarily subscribe to the deification of Ephron, purely because there are other writers whose craft I admire more (see the next review) and I don’t think the topics Ephron discusses are anything revolutionary, although I enjoy how she manages to discuss everything with humour and a certain light-heartedness that really translates to the reader.

changing my mind: occasional essays by zadie smith | ★★★★*

Zadie Smith is my favourite non-fiction writer that I’ve read, even though her fiction, whilst I admire the writing hugely, is not my go-to. The precision, structure and self-awareness in her non-fiction writing is something I can only aspire to and I read and re-read every word in this collection so closely to try and get my head around how she does it. I’ve come to the conclusion that it’s just pure, natural genius.

The essays in this collection range from cultural commentary and reviews to personal essays to literary analysis. The only reason I’ve knocked a star off is because, at times, I had no awareness of the topics she wrote about, and I think the intended reader should have had some, and it did also feel that these essays had just been thrown together, rather than carefully curated. If this was a writer who hadn’t perfected her craft, I don’t think I would have enjoyed it at all. But the reason it took me almost 2 months to read is not down to lack of enjoyment but because I just really wanted to sit with and savour every sentence. My favourite essays were ‘Dead Man Laughing’, in which she discusses an almost universal experience, the death of her father, without cliche but in a way that is meaningful and uniquely touching, as well as her essay on ‘Rereading Barthes and Nabokov’. I want to include an excerpt from the latter that I think will resonate with everyone who has studied English Literature:

‘It’s probably for the best that [Nabokov] didn’t live to see the kind of post-Barthes (and post-Foucault) campus criticism that flowered on both sides of the pond during the eighties and nineties. Wild analogy; aggressive reading against the grain and across codes and discourses; a fondness for cultural codes over textual particulars. You remember the sort of thing:

The Trans-gendered Suitor: Refractions of Darcy as Elizabeth’s True Sister in Pride and Prejudice.

Daisy, the Dollar, and Foucault’s Repressive Hypothesis: Portraits of Sexualised Capital in The Great Gatsby

Please Sir, Can I Have Some More: Bulimic Rejections of Self in Oliver Twist.

I’ve written a lot of essays like this. And found it a wonderful thing, to feel so free. The novel was mine to do with as I wished, to read upside down, back to front or in entirely anachronistic terms. That kind of freedom makes writers of readers, liberating us from the passive and authoritarian styles we are taught in school (Hard Times = British education system in Victorian England). When we read instead in an active way we get to reinscribe dusty old novels into our own interests and cocnerns. There is a joy in getting someone to hand us their butterfly so we can spend twenty pages making the case for its being our giraffe.’

Some people call this collection of essays pretentious, and one GoodReads reviewer said Smith seemed like she was ‘trying to be erudite’. But having read and listened to every interview of hers I can get my hands on, I think she really is just very clever and you can’t take that personally - just enjoy and appreciate that we are lucky enough to live during the same time as her. Ok, I’m done! Read Zadie Smith!

kartography by kamila shamsie | ★★★*

I bought this novel after seeing Kamila Shamsie in conversation with Jeanette Winterson way back in 2017, having read Shamsie’s fantastic novel, Home Fire. Kartography is one of her earlier novels, one that I’ve been recommended when I’ve mentioned to people that I love Home Fire and, although I enjoyed it, it didn’t hit quite the same as Home Fire. It’s set in Karachi, the city in Pakistan where Shamsie is from and I think part of the reason I didn’t enjoy it as much as Home Fire is because I’m not aware of the political goings on in Pakistan as much as I am of those in the UK and America, which is no fault of Shamsie’s, only my own. But I also think that this novel is very different to Home Fire, in that, whilst it’s interested in political commentary, it’s centred on a love story, between two young adults, Raheen and Karim, whose parents swapped fiancees before they were born, yet remain best friends. There is a mystery behind this fiancee swap that is eventually revealed at the end of the novel but the main storyline is that of Raheen and Karim and their relationship. It’s definitely worth a read, as Kamsie’s signature wit and humour is there, if not as much in Home Fire, and it is a beautiful portrayal of Shamsie’s home town. I also learnt a lot about Pakistan, its history and its politics, so it was definitely worthwhile, but sometimes I was a little bored with the love story narrative. 3.5 stars.

Trick Mirror by jia tolentino | ★★★★*

I feel as though I’m late to this book, although I’m sure Jia Tolentino would have much to say about the idea of being ‘late to a book’ and how this idea has been constructed by an obsession with keeping up, bred by social media and, inevitably, the capitalist society we live in. I’m sure she’d say it much better than that. This was the first book, alongside Kartography, I read after completing my degree and it has made me so excited about the reading opportunities I have now my ‘reading for fun’ books aren’t limited to those I can read just before bed. This essay collection interrogates what it means to live in the contemporary world, from using social media, to reality TV, to campus sexual assault, to big fancy weddings and so much more. Tolentino has an incredible mind and her voice, skeptical yet thoughtful about the trivial and the serious, is one that I am so glad that exists within journalism. I can’t wait to read more of her work.

TV

sex and the city (SKY) | ★★★★★

I had 3 goals for lockdown: 1. get into tea, 2. watch Sex and the City, 3. learn to do a headstand. I’ve managed the ones that don’t require me to leave my bed and/or pull out a yoga mat. Sex and the City was the PERFECT quarantine watch. It’s essentially a rom-com spread out over 6 seasons with great 90s style (my favourite era for fashion), and commentary on sex, relationships and being a woman that is partly still relevant now and I’m sure was revolutionary when it was created. There are certainly problematic elements and it is a reflection of the time it was made in every way (the good and the bad) but I think as long as we acknowledge the issues it has and educate ourselves to ensure our beliefs are not the same as some of the ones the characters adapt, then we can appreciate the show for what it is. And what it is is a celebration of friendship in the very aspirational context of four women, some of whom barely work, who have lots of money, and make the most of the New York they are living in. Fuck Big, Aidan is ok, but, as usual, Samantha was right in choosing Smith Gerrard. He’s the only man I really like in the series. My favourite moment from the entirety of the 6 seasons is pictured below (Samantha is such a gem):

little fires everywhere (AMazon prime) | ★★★

This is TV series was developed by Reese Witherspoon’s production company, based on a book of the same name. I haven’t read the book, as I prefer this kind of plot-driven narrative in TV format, rather than in a novel, but I was excited about the series anyway, as I loved Big Little Lies. I binged it in two days and I thought the first few episodes were gripping and provided a brilliant commentary on race and class in America. The last couple of episodes, particularly the last one, however, became so far-fetched and disengaged that it’s tainted my memory of the show. It’s definitely worth a watch as the first few episodes live up to my memory of Big Little Lies, the ending, however, does not.

Film

sex and the city 1 and 2 (netflix & amazon prime) | ★★★★

Obviously once I finished watching the series, I watched both of the films. I’ve watched them before but they’re much better when you know the characters and their back stories. They’re not as good as the TV show, because they’ve adopted a kind of Hollywood glamour that the TV show, rightfully, didn’t have and they are also cliched in a way that the TV show generally wasn’t. But it did make me think that every long TV show with a big fan base should follow up with two movies that aren’t quite as good as the show to provide closure for its viewers. Gossip Girl 1 and 2 anyone?

little women (2019) (Amazon Prime) | ★★★★★

I promise I’m not going to rave about Little Women again (you can read my review, which, in short, says I love it so much, here). But I’m including it on this list to provide the very important news that it’s now available to buy on Amazon Prime and I have obviously bought and watched it, and loved it just as much on a third viewing.

mystic pizza (netflix) | ★★★

This was my only Netflix party watch of the month! It’s a classic rom-com featuring Julia Roberts about three sisters who are navigating relationships with different men. It’s nothing revolutionary but definitely a cosy, easy watch. Plus, I’ll watch anything that features Julia Roberts

he’s just not that into you (Netflix) | ★★★

Another easy rom-com! I do feel as though that this film has got the formula for a rom-com down to a tee, but it’s not one that I regularly re-watch and I think it would be more interesting and relevant, like most things, with more diversity.

joan didion: the center will not hold (netflix) | ★★★★

I always knew Joan Didion lived a fascinating life but I didn’t really know what it entailed. This documentary did a great job of filling me in and it was, indeed, fascinating. I’d recommend reading this New Yorker article after watching the documentary.

Podcasts

table manners | ★★★★

This podcast has been recommended to me so much but, for some reason, I’ve resisted it up until now. Actually, I tried to listen to the episode with Haim a couple of months ago but gave up when I realised that making a podcast with 5 people does not work. I’ve finally gotten into Table Manners this month, anyhow, after listening to their recent episode with Florence Pugh. I’ve listened to a few other episodes since then and I really enjoy Jessie and Lenny’s dynamic and I think they do a great job of making their guests comfortable enough to talk openly with them. Other episodes I’ve listened to so far include those with Emilia Clarke (this one was also great), Dolly Alderton and Antoni Porowski.

individual episodes i enjoyed:

Articles

I’ve been reading lots of articles from all my usual sources this month but I’ve also really gotten into Penguin’s features section - see below for my recommendations from Penguin and some of my other favourite publications and sites.

music

There’s no playlist this month as I’ve pretty much exclusively been listening to Joni Mitchell, but I would really recommend this Guardian article on where to start with Joni Mitchell, as I think she’s the perfect artist to be stuck in your house with, as well as to take along on your daily walks.

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